21/02/2016

#poem #poetry #amwriting #LeadstoLeeds Love Letters to a Cousin

Love Letters to a Cousin

Let memory speak of time without stars
bathed in the sunlight of gardens remembered.
Beauty still remains, amid the brassy dream
unsentimental as this skyline picked by cranes.

Everywhere is elsewhere here, to be copied
or mocked, left to blacken or rot or built
gelded beyond the height of gilded arcades.

But wait. Do I come to pander or to praise
those conservations, to the pretensions of this town.
Or to find in refraction of refracted memory
my genuine affection, for a place I rather like.

I want to say slag heap.
I want to say concrete.
I want to ridicule the chavs on bikes
and the dreary view on grey Sunday mornings
as the 16a rounds Armley gaol
and all the world tumbles down the dog-shit slope
to the pebble-dash and double-glazed.

But that is not me. Nor does it reflect how I feel.
Or why I began in memory of that garden on the Selby Road:
looking out, through the hedge, to fields.


written as part of the Lead to Leeds

#poem #poetry #amwriting Kitsch

Kitsch

Love, it is love, once again love.
Sorry I didn't mean... if you're busy
I was just saying how frustrating it is
to read. The moon blazes fire, burns
in yearning majesty of love's lost return:
in turning, burns, the returning still.

She cuts the conversation. Lights a cigarette
with Vesta, The phosphor somehow suits
her nature. Everything she says
is fashionable beyond the sake of comfort
and nowhere, to her disappointment, can be found
a single reference in the bible, to a single shit.

Sorry I didn't mean... I was just saying
its frustrating if you're busy, to read;
just saying. And why, why hang your hat 
upon reflection, the burning face returning 
of what we thought was loved and lost.
Once again love, love, it is love.

Does what we see in the mirror shit?
Shit, shit, shit, there I said it.
You said I wouldn't.
Said I couldn't.
Shit, shit, shit, there it is again,
wearing a crucifix, with crossed fingers.
You said I shouldn't.
Again.

Again we apologise, again and again:
for those excursions of understanding
again.

I'm sorry, but it is a serious point
made smooth:
why make love when it mostly shit
and madness;
in glaring reflection of a shitless future.

Sorry I didn't mean... if you're busy
I was just saying how frustrating it is
to read. Again. I didn't mean sorry...
how frustrating if you're busy. I say
I was just reading again, I say sorry
again, again, sorry again.

Again, I didn't mean sorry: again.

#poem #poetry #amwriting #sketchbook parp

Love, it is love, once again love.
Sorry I didn't mean... if you're busy
I was just saying how frustrating it is
to read. The moon blazes fire, burns
in yearning majesty of love's lost return:
in turning, burns, the returning still.

Oh but whites are just as bad; slave.
She cuts the conversation. Lights a cigarette
with a Vesta, The phosphor somehow suits
her luciferian nature. Everything she says
is fashionable beyond the sake of comfort
and nowhere, to her disappointment can be found
a single reference in the bible to a single shit.
To a unitarian effluent indulgence;
of God's omniscience;
in a trinity if wind and stars and nihilism.

And why the rose, she wants to know
why the rose: why not, why not
the daisy or the daffodil or the cat.

And if God shits does it really deny love.
For the sake of compassion,
and all that it sacred,
let the creator of all things; shit.
It's pure misogamy.

Sorry I didn't mean... I was just saying
its frustrating if you're busy, to read;
just saying. And why the moon
why hang our hat upon reflection.

Does what we see in the mirror shit.
Shit, shit, shit, there I said it.
You said I wouldn't.
Said I couldn't.
Shit, shit, shit, there I said it again,
wearing a crucifix, with fingers crossed.
You said I shouldn't.
Again.

It's hard to smoke with this gap in my teeth.
You have to pull harder.
The weeds of emotion creep out, around,
perhaps we could kiss, burn our lips,
perhaps not - not in this weather;
with the moon still up.
Madness.

I'm sorry, but it is a serious point
and smooth:
who made love when it mostly shit
and madness;
in glaring reflection of a shitless future.

Lighting a cigarette with matches
is to journey into the past,
with five minutes cut from the future,
in the present eight minutes of consumption.
It's science.

Again we apologise, again and again:
for these abstinences of understanding
again.

Again, I didn't mean sorry: again.

Sorry I didn't mean... if you're busy
I was just saying how frustrating it is
to read. Again. I didn't mean sorry...
how frustrating if you're busy. I say
I was just reading again, I say sorry
again, again, sorry again.

le feu c'est margin de lune entent
concord la lune une feu
mes tout sept pas mon encore
la lune
que quelle ca des sondre
renault et camois ca blanc

#poem #poetry #amwriting c'est pipe

C'est une Pipe

La feu c'est margin des lune entente
concord la lune un feu.
Mes tout; sept pas; mon encore
la lune.
Que quelle fille, appel mon coeur,
c'est feu, je jure la lune.
Avec mon coeur, mon feu, mon lune:
mon coeur, pas lune, mon feu.

19/02/2016

#poem #poetry #amwriting 1968 - Black Lives

1968 - Black Lives

society was normalised today
no poem was written outside of the template
the icons were replaced and thoughtlessly respected
no moth of an impure idea died upon the window
and black lives didn't matter

society was normative today
we French-kissed the wooden tongue
beginning to get very tired Liberalism slept
the people dissolved
and black lives didn't matter

society was normalised today
attending my ambition a flower was laid
'dissenters' opened envelopes of gift cards
Wednesday was declared racist
and black lives didn't matter

society was normative today
the dead offered no defence at their trial
ashes were machine-gunned
great writing made no trans-formative change
and black lives didn't matter

society was normalised today
Auden's ogre wasn't no-platformed but invited
ink became parked tanks and barking dogs
the state closed the borders / re-elected itself by virtue
and black lives didn't matter

18/02/2016

#poem #poetry #amwriting #sketchbook notes 18 feb

in parody of what he strived to be
he drains the gin, puffs himself
and idle hangs about her neck: laughing.
Yes laughing. Who would believe that of him
that mirth might ripple

....

perhaps we should collapse
lie in bed and dream of what we should do
were we not drawn by black candles

...

it was always exotic
it was here I met doctor who
on a trip to see my mother's aunt
who lived upon the selby road
in a house inside like a wedding cake
piped plaster on the ceiling
yellow paper on the walls
coal fire in the downstairs
and bottles in the bed

...

and everywhere was concrete built
or red brick tumble down
and everywhere was cut with roads
to the bypass or the town
and the civil building frock coated
and austere beneath the sooty coal
they wore to prouden their veneer

...

refracted from refraction by refraction

...

be circumspect
facts are an inferior form of fiction
anastrophe
like a face in a tea spoon
the part of the book that is not about you
profound

....

significant measures of the parts whole
the reductive and textual invention

....

JH Prynne

....

she confuses me
when she says
that a flaming sword

...

I admit much confusion
at the notion that somehow
if I apply the rules of grammar
that the history, or sound, of a word
may be fixed in neutral context

I should probably go along with it
take the money
feed the distration of television
with words like coal of a fire

but I would rather burn the mind - or ear -
or cut off my own ear than deny the joy of life
inherent in the possibilities of language

or go on x factor

....

be circumspect in love letters to a cousin
and think of the sunny garden, the hedge
through which concrete spied. In remembrance
of the slag heaps on the selby road, the oddness
of the journey to a landscape unfamiliar.
Where the past picks in a changing present
and yet still at the traffic lights by the station
you hold your mother's hand, finger looped,
in the taught manner which you now protect
your child: int he time worn trek to BHS.
The frock coated grandeur of the civic building
cleaned now of their sternity: keep time.
The tobacconist of the Headrow retains brown fingers
in the window, scented and spiced.

...

speak memory of a time without stars
of a graden in sunshine
through which concrete whispered
be circumspect in lover's letters
lest the chisled moouse on the library stair
squeaks the flattery/eats the flattery whole

speak two-sided memory of time with stars
of a pplace more exotic in mind appraoched
and seen again unfinished

two faced memory speak

...

speak memory, of a muddy field
you boyhood hero and god called Tinkler

...

as a child I came past the slag heaps
on the selby road
but now I come bucolic way
of laced kirkstal and canals

....

memory of time speak without stars
bathed in the sunlight of gardens
hear lush concrete whisper

...

born in a pub, raised in doss of temperance hotel
to the long journey from bullet maker to semi-detatched

...

Leeds was always another world
a place without stars
forever flooding the country with concrete

...

be circumspect in love letters
for memories speak without stars
and where to begin
when my view is seen through a hedge
to green fields
/
where to begin
when my view is through the prism
of a hedge on the selby road
looking out to bleak fields

....

passing the black lace of kirkstal abbey
one begins to see the cranes
rbbing out or building - who can say
everywhere is space, open space
perhaps there is a plan
or perhaps small ideas assumed build big

....

ambivalent - is that a word
let me check - but it's not the right word

...

david gedge

...

how do you describe ambivalence
I'm not being personal
just there is a certain ditiness
addressing/afflicting my afffection
as if betraying a dark confidence

....

rita fairclough

17/02/2016

#poem #poetry #amwriting #sketchbook o

How odd, that by the rules we must respond
with something more than 'very good', 'I like that',
'try to bat on it's almost tea'.
In the strange world of prose on a postage stamp
the form is to say how we would have done it better.
Better than what?

Better than looking out of the window, perhaps
or sarcastically carping harder that the carping crowd.

I should write a manifesto, or start a movement:
make strident metaphorical announcements of the new,
the fresh, the revolution in poetics.
At least it will give me a rule to break.
If I'm feeling really silly, I might adhere to the style;
allow the adoring to think no more.

But like all wallflowers
I shall smooth my dress and smile;
and not utter,
'they might try writing poetry' -
or better still, reading it aloud -
it is allowed you know.

No perhaps not.
Nothing destroys more quickly.
It will do no good. The prosey crowd
will not change - where would they hang their beret -
and novels take so long to write.

No, it is read it once and forget.
Or like poorly programmed Hoovers sniffing away
until they run into an obstacle
and then it's 'what does quodlibet mean?'

Any excuse, not to read.

#poem #poetry #amwriting Letters Found

Letters Found
You, like Sylvia, only knew two words,
always and never: which you carried caged
like linnets of a stolen song.

How nice to take a knife to you,
your watermarks, your curling hand,
to read afresh your streaming thought
before that well ran dry.

Or so I thought; and thought now,
appreciating these love letters
to one hundred petty brightnesses:
as luminant as rain.